Digital
SLRs may make the headlines but rumors of the death of the compact
camera are greatly exaggerated. Panasonic Lumix DMC FZ18 super-zoom
revitalizes this category with a mighty 18x optical zoom, spanning a
range from useful wide-angle 28mm to enormous telephoto 504mm focal
lengths.
As usual, the Panasonic
Lumix DMC FZ18 lens bears the Leica
mark and as usual, it employs Panasonic's Mega CIS
optical stabilization system, which we rate among the best in its
class.
Like previous FZ camera
models, the DMC-FZ18 presents a right-hand grip design, with a
traditional mode dial and navi-pad, joined here by a small, easily
accessible thumb-stick.
The Leica-branded glassware
is worlds ahead of most super-zooms, combining a maximum aperture of f/2.8
with first-class stabilization. The balance settings feels
anachronistic on such a modern enthusiast's camera. The menus are
staid, text-only affairs. The 2.5-inch LCD
matches Canon's 55 IS for size and
pixels, although it fades out much earlier in dim conditions.
Colours and sharpness in
both the LCD and EVF
are above average, making manual focusing less of a hit-and-miss affair
than on many compacts. But both have the inevitable 'exposure lag' when
moving from framing light to dark scenes that SLR users in particular
will find irritating. At least you can boost LCD power on bright days!
The all-plastic
construction is light and just about stable enough for one-handed use
if you feel the urge to really test the stabilization
system.
The front-facing zoom lever
is small and slow, but smooth and accurate.
Focus, flash and drive each
get dedicated buttons, although the lack of quick access to ISO,
quality and white balance can be frustrating at times.
The Panasonic Lumix DMC
FZ18 can also use face detection, adjust
the ISO and even activate the image stabilizer for you - although we'd
recommend simply leaving this turned on all the time.
If you don't need your hand
held quite so tightly there's full PASM
exposure and a Custom mode for your own choice of settings. Aperture
and shutter speeds are set using the tiny thumb-stick, which also
selects the Autofocus zone. This is worth experimenting with as the
Panasonic's focusing system isn't the fastest we've tested before.
It usually gets there in
the end, but you need to take care with extreme telephoto shooting
because the depth of field contracts.
For a little more speed,
the
Burst mode reaches the giddy heights of 3fps,
but only for a handful of images before decelerating substantially.
Shot-to-shot
time is limited mainly by AF.
Although if you make use of
the welcome RAW or RAW+JPEG
capture, expect delays when shooting a series. Image quality from the
monster 18x zoom is surprisingly good -
and we say surprisingly because all too many super-zooms sacrifice
wide-angle sharpness or telephoto contrast in search of the maximum
zoom range.
It usually gets there in
the end, but you need to take care with extreme telephoto
shooting because the depth of field contracts.
For a little more speed, the Burst mode reaches the giddy heights of
3fps, but only for a handful of images before decelerating.
Shot-to-shot time is
limited mainly by the ponderous AF
system, although if you make use of the welcome RAW or
RAW+JPEG capture, expect delays when shooting a series.
Image quality
from the monster 18x zoom is surprisingly good - and we say
surprisingly because all too many super-zooms sacrifice wide-angle
sharpness or telephoto contrast
in search of the maximum zoom range.
The optics show a touch
of distortion at 28mm but hardly any edge softness and
even less chromatic aberration.
As long as you're not
expecting SLR
levels of clarity, the abundance of detail at full
resolution is very impressive.
Edges are rock solid, skin
tones are
smooth and complex, fine detail is sensitively handled.
The
Panasonic Lumix DMC FZ18 is as much about quality as it is raw power!
Its fine spread of manual controls are easy to master &
exceptionally fast to use. Images from its 8MPs are superb, making this
a safe choice for anyone looking for a competent compact.